September 26, 2011

Review: Anonymous Faces at the Lyon Opera

Laura @ 22:53 —
Filed under: English,Reviews/critiques — Tags: , , ,

Faces
Choreography: Maguy Marin
Lyon Opera Ballet
Lyon, France
September 14, 2011

Men and women assuming poses, wearing sunglasses, sporting long black beards, carrying a Virgin-like figure, praying, hugging. Dancing? Not really.

This about sums up Maguy Marin’s latest creation for the Lyon Opera Ballet, Faces. Marin, who was based in Lyon until this year, has long enjoyed a close relationship with the company and was behind one of their greatest hits, a very theatrical version of Cinderella first performed in 1985. Her new full-evening work, however, seems to have lost the plot along with the troupe.

What Marin purports to show us in Faces is the workings of a crowd, of mass delusion in the context of modern PR techniques. Dancers dressed in plain clothes enter the stage slowly, one by one, glancing at each other as they reach their spot. Behind them is a wide mirror and to the sides, four small screens tracking their movements from different angles, like surveillance cameras. (…)

» Read the full review in Dance Magazine

The Lyon Opera Ballet in Maguy Marin's Faces © Jean-Pierre Maurin

The Lyon Opera Ballet in Maguy Marin's Faces © Jean-Pierre Maurin





September 12, 2011

Review: Baryshnikov In Paris

In Paris
Mikhail Baryshnikov, Anna Sinyakina and the Dmitry Krymov Laboratory
Théâtre National de Chaillot, Paris
September 8, 2011

Legendary ballet dancers are of necessity a rare breed, their performances often remembered so vividly they seem to leave no space in the audience’s mind for another stage career. Seconds before In Paris started on Thursday, as Mikhail Baryshnikov himself stood waiting on the dark stage, some audience members were fervently recounting a 1970s appearance of his in Switzerland, and those of us who didn’t witness his glory days hoped against all odds to be initiated at last.

The legend himself, however, has moved on, and while his latest venture seemed to leave some long-time fans perplexed, the Dmitry Krymov Laboratory – a young Moscow-based company – has offered him an exceptional new leading role.

Premiered in Finland in August, In Paris contains little to no dance, but as theatre it is a resoundingly poetic work. Based on a short story by Ivan Bunin, the production closely follows the text: a Russian émigré in Paris meets a waitress who has also left their country, and the two cling to each other in their loneliness. (…)

» Read the full review in the Financial Times

Anna Sinyakina and Mikhail Baryshnikov in the play © Maria Baronova

Anna Sinyakina and Mikhail Baryshnikov in the play © Maria Baronova





Powered by WordPress - © L./Bella Figura - Licence Creative Commons.