December 1, 2011

2011 Standout: Lauren Cuthbertson (Pointe Magazine)

Another year, another list of Standout Performances. My pick this time for Pointe Magazine’s annual roundup was Royal Ballet Principal Lauren Cuthbertson, who created the lead role in Christopher Wheeldon’s Alice’s Adventures in Wonderland last February. The full Best of the Best list is in Pointe’s latest issue, and Cuthbertson opens the story with a double-page spread!

Cover of the December 2011/January 2012 issue © Pointe Magazine

Cover of the December 2011/January 2012 issue © Pointe Magazine

Best of the Best 2011: Lauren Cuthbertson
Only a year and a half ago, The Royal Ballet’s Lauren Cuthbertson wasn’t sure how she would make it back on stage. Diagnosed with glandular fever just after being promoted to principal, Cuthbertson watched her promising career stall as she battled the illness. But now she’s returned, and early this year she made her comeback as the lead in Covent Garden’s first new full-length production in years, Alice’s Adventures in Wonderland. Christopher Wheeldon tailored his Alice to Cuthbertson’s English-rose looks, airy jump and unaffected stage persona. Onstage almost from start to finish, she thrived around Lewis Carroll’s quirky characters. At once fresh and thoughtful, her dancing proved to be the guiding thread of the ballet, which was filmed for DVD release. Her obvious delight in the moment was an added bonus in Wonderland, and the buzz around the premiere said it all: a true English star was born—again.

Alice’s Adventures in Wonderland returns to the Royal Opera House next March, but if you can’t wait Opus Arte has just released a DVD of the production. Sergei Polunin, Zenaida Yanowsky, Edward Watson and Steven McRae star alongside Cuthbertson as Alice.

» Watch: Lauren Cuthbertson (Alice) and Sergei Polunin (the Knave of Hearts) in Alice’s Adventures in Wonderland (Youtube)

» The full list of 2011 Standout Performances on Pointe Magazine’s website

Lauren Cuthberton & Sergei Polunin in Alice © Johan Persson

Lauren Cuthberton & Sergei Polunin in Alice © Johan Persson





October 5, 2011

The Power and the Passion: Marianela Nuñez Interview (Pointe Magazine)

Laura @ 23:49 —
Filed under: English,Interviews — Tags: , , ,

Sunniest ballet star this side of the Atlantic is a title The Royal Ballet’s Marianela Nuñez has long held, and it’s easy to see why when you meet her in person. We had a chat at the end of last season for Pointe Magazine’s Reverence column, and the bubbly Principal told me all about her rituals, high heels and upcoming wedding(s) – here is a an excerpt from the article, one of three I wrote for Pointe’s October/November issue:

Cover of the October/November 2011 issue © Pointe Magazine

Cover of the October/November 2011 issue © Pointe Magazine

Do you have any pre-performance rituals?
I’m a control freak. I do my makeup and hair, then pack everything away before I go onstage. If something is out of place, it makes me  nervous.

How do you prepare your pointe shoes for performance?
I always wear brand-new shoes. I try them beforehand to see if they’ll work, then bash them with a hammer so they don’t make any noise.

You’re planning your wedding to fellow principal Thiago Soares. What will it be like?
We’ve both been working so hard it’s taken us a while to figure out, but we want to have three weddings: One in Argentina with my family and our closest friends; a second in Brazil for Thiago’s friends; and the third is going to be a big party in London, because the company here is like our second family.

Anything in mind for your first dance?
I have to talk about it with Mr. Soares! But we’ve gotten married in so many story ballets that we want to keep it really cozy for our actual wedding. There definitely won’t be a big wedding pas de deux! (…)

» Read the full interview in Pointe Magazine: “The Power and the Passion,” October/November 2011

Marianela Nuñez in Liam Scarlett's Asphodel Meadows © Johan Persson

Marianela Nuñez in Liam Scarlett's Asphodel Meadows © Johan Persson





October 3, 2011

Insider to Head The Royal Ballet (Pointe Magazine)

The name of Monica Mason’s successor has been known for a few months now, but it remains a surprise for many – Kevin O’Hare, The Royal Ballet’s current administrative director, will succeed her as artistic director at the end of the 2011-2012 season. Here is my take on his appointment, complete with quotes from choreographer Christopher Wheeldon, for the news pages of Pointe Magazine:

Cover of the October/November 2011 issue © Pointe Magazine

Cover of the October/November 2011 issue © Pointe Magazine

When it came to casting the part of next Royal Ballet artistic director, most ballet fans expected that a familiar face would land the job. (Several big names—including Christopher Wheeldon—were repeatedly tossed around.) In the end, however, Monica Mason will be succeeded in July 2012 by an insider no one saw coming: Kevin O’Hare, her administrative director since 2009.

A former principal with Birmingham Royal Ballet, O’Hare retired from dancing in 2000 to train in company management. After stints with the Royal Shakespeare Company and BRB, he joined The Royal’s management team in 2004. “Kevin knows the company and has already established a clear and communicative relationship with the dancers,” explains Wheeldon, who choreographed Alice’s Adventures in Wonderland for The Royal earlier this year.

While some have deemed the appointment unexciting, O’Hare is intimately familiar with the company’s English repertoire and won over the selection panel with ambitious plans to bring together “the most talented artists of the 21st century to collaborate on the same stage,” as he said in a press release. He won’t be lonely at the top, either: Both Wheeldon and resident choreographer Wayne McGregor, along with associate director Jeanetta Laurence, have agreed to be part of his “senior artistic team.” The terms of their involvement remain to be defined, according to Wheeldon, but “there are future projects in the works, including another possible full-length ballet.” (…)

» Read the full interview in Pointe Magazine’s news section (scroll down to see it)





June 1, 2011

Work in Progress – Eric Underwood on Tryst (Pointe Magazine)

Cover of the June/July 2011 issue © Pointe Magazine

Cover of the June/July 2011 issue © Pointe Magazine

One of several Americans with The Royal Ballet, soloist Eric Underwood has become an audience favorite in London, particularly in neo-classical and contemporary repertoire. In May 2010, he and soloist Melissa Hamilton made their joint debuts in Christopher Wheeldon’s 2002 Tryst. He discussed the rehearsal process with me at the time for Pointe Magazine:

Eric Underwood: Tryst’s structure is quite unique. I had to get my head around the idea that the lead couple does not interact with the corps de ballet. The main pas de deux was created on Darcey Bussell and Jonathan Cope, and Jonathan coached us for the revival. Wheeldon came in to work with us after we learned the roles. It wasn’t easy trying to capture the feeling that was there originally.

There is an energy more than a specific character—Wheeldon would speak of otherwordly gods that are drawn to each other, of their magnetic relationship. The music, by composer James MacMillan, is inspired by a Scottish poem, and Wheeldon was looking for the kind of very full movement that you find in nature, like grass in the wind. (…)

» Read the full article in Pointe Magazine: “A Rendezvous with Tryst“, June/July 2011

 

Melissa Hamilton & Eric Underwood in Tryst © Bill Cooper

Melissa Hamilton & Eric Underwood in Tryst © Bill Cooper





April 5, 2011

A Noble Radiance: Johan Kobborg Interview (Pointe Magazine)

Laura @ 17:58 —
Filed under: English,Interviews — Tags: , , , ,

The Royal Ballet’s Johan Kobborg needs no introduction – his legendary partnership with Alina Cojocaru, his dramatic flair, the productions he has staged around the world speak for themselves.  For Pointe Magazine’s Reverence column, he talked to me about Bournonville, shopping, singing and more:

Cover of the April/May 2011 issue © Pointe Magazine

Cover of the April/May 2011 issue © Pointe Magazine

In reaching the top, how much is talent and how much is sweat?
For me, it was definitely more determination than talent. I know principals all over the world who are actually not naturally talented, but have worked very hard.

What are you most proud of?
My productions of La Sylphide. Staging it at the Bolshoi was an enormous personal achievement, because they’d just done a different production of La Sylphide, and I was able to change the dancers’ opinions of the ballet.

You were trained in Bournonville technique. What do you love most about it?
For a dancer it’s an amazing technical base. Maybe especially for boys, because for all the jumps you’re not using your arms to get you in the air. It comes from the stomach. That core strength makes everything else easier.

What’s your biggest indulgence?
I’m a shopaholic. If you let me loose in Dolce & Gabbana and I see something, I just think, ‘I work so hard, I should have it.’ It’s not good. I’m also a bit of a sparkler—I always wear gold sneakers. I have lots of pairs. (…)

» Read the full interview in Pointe Magazine: “A Noble Radiance,” April/May 2011

Alina Cojocaru and Johan Kobborg in rehearsal for La Sylphide © Johan Persson

Alina Cojocaru and Johan Kobborg in rehearsal for La Sylphide © Johan Persson





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